In the end, it rests comfortably with a 4.5 star rating (the first half was fire, things tended to slow down a bit on the second half). Movement Pressure building from the campaign ultimately caused Puff Daddy to release the trio from their contract at Bad Boys Records and We Are the Streets was the long-awaited outcome.
#The lox we are the streets free
The ONLY thing that MP&R had that was an edge over WATS was the storytelling, which was lacking on this album. While performing in 99 the trio sported Let The LOX Go T-shirts and sparked the Free The Lox. Hre so viel Musik wie du mchtest auf deinem PC, Smartphone oder Tablet sowie Home-Entertainment-System. Lyrically they were more sharp and the production fit them so well. Gefllt dir dieses Album Entdecke auf Napster hnliche Knstler. The second time around, we got a more focused, aggressive, and inspired Lox, and you almost get the impression that they were held back a little bit during their Bad Boy tenure, because they let loose on all levels here (along with completely burying the "shiny suits" throughout this album, lol). I'm not sure what I was thinking, but it took me quite some time to change my mind, because their debut simply does not hold a candle to album number two. Believe it or not, there was a point in time when I felt "Money, Power, & Respect" was better than "We Are The Streets" (please don't ask me why, lol). Can you imagine these two albums indirectly going "head to head"? Wow.)īefore I offer my thoughts on this album, I want to bring their debut back into the picture. Release date: Janu(Sidenote: Ghostface Killah's second album "Supreme Clientele" was scheduled to be released on this same day, but was wisely pushed up to a February 8th release date. As you would imagine, the buzz for this album was a little bit bigger than the first time around, and with ALL this being said, let's continue on to the year 2000! They quickly linked up with Ruff Ryders (by way of Interscope Records), which turned out to be a great fit for them, now going by Sheek Louch and Styles P for maximum effect (the Jadakiss named remained). Old Review: Street rap is something that is easy to be decent at but hard to good at, The Lox are one of the only groups that have mastered it.
The mounting pressure was too much for Bad Boy, so they literally had no choice but to release them, truly a historic moment in hip hop, for the right and/or wrong reasons depending on your perspective. The intense street shit does get a lil boring after a while and 68 minutes might be too long for a LOX record but its tolerable. They’ve been around for years and people have been having a lot of admiration and respect for them but I think we all. The LOX is a group that as of recent has been getting their flowers and just due. Posted by ChasinDatPaper on Februat 9:14am View Blog Video After The Jump. But seriously, they were not happy and they set out to do something about it.When working things out directly with the label didn't work, they truly took things to the next level, starting a "Let The LOX Go" campaign to be released from their contract. The LOX: We Are The Streets (Documentary) TheLox. When you take into account the buzz they had before their first album dropped, the multiple guest appearances, in and outside of Bad Boy (including the classic "It's All About The Benjamins Remix), and the response to the "Money, Power, & Respect" album (shooting to #1 on the Top R&B/Hip Hop Albums" chart and sitting at #3 on the Billboard 200), their tenure at Bad Boy was largely a success in my book, however, the crew was apparently not happy with the label or the direction of their careers, and that includes the "shiny suits", lol. Album DescriptionAs I mentioned up top, going into this album, things had drastically changed for Lox, so let's continue with 98 and 99 heading into the year 2000. See More Your browser does not support the audio element. The rowdy lead single, "Wild Out," is an obvious reworking of Jay-Z's "Jigga My Nigga," but it was a hit on rap radio.
While the LOX as a unit do not offer much in terms of topical dexterity, Jadakiss is one the industry's most underappreciated lyricists, which he clearly reiterates on his solo cut "Blood Pressure." Ruff Ryders in-house producer Swizz Beatz handles most of the production duties, and although his syncopated production can become repetitious, DJ Premier ("Recognize") and Timbaland ("Ryde or Die Bitch," featuring Eve and Drag-On) provide some much-needed diversity with their signature sounds. Not only because Puffy's glossy sound openly clashed with the group's thug mentality, but the change of scenery also furnished Jadakiss, Sheek, and Styles with an opportunity to assert their own identity. The LOX's highly publicized and drawn-out defection from Puffy's Bad Boy Records to DMX's Ruff Ryder camp was imperative.
#The lox we are the streets download
Purchase and download this album in a wide variety of formats depending on your needs.
0 kommentar(er)
